New and Notable: Recent New Jersey Acquisitions



These items have been or will soon be added to the Sinclair New Jersey Collection in Special Collections and University Archives.

Abramson, Todd. Young, Fast, and Scientific zine, nos. 1 and 2 (Gillette, NJ: 1978 and 1979)  

Bobbink and Atkins. Roses. (Rutherford, NJ: Bobbink and Atkins, 1929)

Congoleum-Nairn. Congoleum-Nairn 1941 trade catalog. (Kearny, NJ: Congoleum-Nairn, Inc., 1941)

Englewood Institute for Young Ladies, Englewood, Bergen County, New Jersey catalog (Englewood, NJ: 1864)

Paterson Rambling Club. Songs. (Paterson, NJ: Paterson Rambling Club, 1913)

Pickaninny Club Minstrel Show, at the Berkeley Lyceum, in Aid of the Daisy Fields Hospital for Crippled Children (1896)

Schrabisch, Max. Indian Vestiges in Garrett Mountain Reservation: A Series of Three Articles (Paterson, NJ: The Passaic County Park System, Lambert Castle, Garrett Mountain Reservation, 1939)




New and Notable: Recent New Jersey Acquisitions


These items have been or will soon be added to the Sinclair New Jersey Collection in Special Collections and University Archives. 

A selection of fine press books:

Anderson, John. The Words of the Masters, Reflections on the Fine Art of Type Design. (Maple Shade, NJ: The Pickering Press, 1982). Wood engravings by John DePol.

Anderson, Ruthmae. Adventures of Billy Bird. (Maple Shade, NJ: The Pickering Press, 1984.) Wood engravings by John    DePol.

DePol, John. Monroe Causley. (New York: The Typophiles, 1996)

Ellis, Mrs. Havelock. Stories by Mrs. Havelock Ellis. (Free Spirit Press, 1924)

Fraser, James,ed. George Linen 1802-1888: An Exhibition of Portraits (Maple Shade, NJ: The Pickering Press, 1983).   

LeGallienne, Richard. Wood Flower. (Madison, NJ: Brayers Club, 1947)

A Pickering Potpourri. (Maple Shade, NJ: The Pickering Press, 1983)  Illustrations by John Anderson.

Types, Magnificent Embellishers of the Printed Word. (Maple Shade, NJ, The Pickering Press, 1981)


Bolshevik, No. 1. (Jersey City, NJ: Revolutionary Workers League, May 1976)

New Jersey Books, 1694–1900: A Descriptive Catalogue of the Joseph J. Felcone Collection. (Princeton: Joseph J. Felcone Inc., 2023)

Ahimsa: Worldwide Magazine of Veganism. (Malaga, NJ: American Vegan Society, May/June 1975)

The Loving Brotherhood Newsletter. (Sussex, NJ: TLB, 1977-1978). Seventeen-issue run.

New and Notable: The Dirt Club


Former Star-Ledger reporter Guy Sterling recently dropped by to donate his collection on Bloomfield’s legendary Dirt Club and share memories of his late friend, colorful owner John “Johnny Dirt” Schroeder. From 1979 to 1991 The Dirt Club hosted a plethora of local and nationally known punk, hardcore, power pop and experimental bands, held events like the Slime Festival on the Passaic, and sponsored compilation albums that included bands that played at the Dirt Club. Among the many New Jersey bands who played the club are The Smithereens, Adrenalin O.D., and Dramarama. National acts who performed there include The Fall, the Modern Lovers, and Wall of Voodoo.     

Guy donated vinyl comps, live recordings on cassette, posters, photos, a scrapbook and more. Among the most unique items in the collection are the club’s famous “dirt bags,” literal bags of dirt that could be purchased at the bar.

We’re thrilled to make a home for the Guy Sterling Collection on the Dirt Club, which complements the New Brunswick Music Scene Archive and the many books, periodicals, and zines we have on music and venues in New Jersey in the Sinclair New Jersey Collection. The collection is currently being processed and in due time will be available to peruse in our reading room.


McCall, Tris. “Remembering Johnny Dirt, the down-to-earth king of the Jersey pop underground.” Inside Jersey, September 23, 2011.

The Helen-Chantal Pike Collection on Asbury Park


Colored Postcard showing eight women with hats on beach chairs on wheels with heading "Solid comfort on the boardwalk, Asbury Park, N.J."


To mark the opening of the Helen-Chantal Pike Collection on Asbury Park as well as to help get us out of the New Jersey winter doldrums, we share this essay on Asbury Park postcards and using postcards for research by Rachel Ferrante, Fall 2017 Public History Intern 2017 in Special Collections and University Archives.


By Rachel Ferrante


There are few things as uniquely iconic as the Asbury Park postcard. The Las Vegas neons and even the Hollywood sign may be the only two cultural images that elicit similar recognition. It seems these images embody regional leisure and tourist culture, recognizable across generations. Because these signs act as visual landmarks, the images are regurgitated in popular culture. An example is the mimicking of the Hollywood sign in the Dreamworks movie “Shrek” as the sign for the fictional city Far Far Away. Using the sign as a landmark, the rest of the scene imitates Hollywood, a defining city in West Coast culture and example of opulence.

About 2,900 miles down I-80, Asbury Park is far more humble. Since its founding in 1871, Asbury Park has repeatedly boomed and busted in its cultural significance, tapping into every aspect of leisure culture one can think of. Asbury has been a physical representation of popular culture, specifically and originally for New York elites, who seem to define high culture throughout much of U.S. history. In fact, Asbury has been a center of both high culture and subculture, making it extremely relevant to the East Coast’s, if not the nation’s, cultural memory and historical interest.

Postcard with text "Greetings from Asbury Park NJ"

The “Greetings from Asbury Park, N.J.” postcard is a specific linen Tichnor style with images geared to Asbury leisure in particular. This style was applied to many postcards centered around other places as well, the likes of which include Niagara Falls and Route 66. Famously, the Asbury postcard was used as the cover of Bruce Springsteen’s breakout album by the same name. So beyond its initial iconic stature the postcard has a history of its own. When you look at the Helen-Chantal Pike Collection on Asbury, the postcards it includes tell a story of Asbury Park’s history. Paired with the other materials in the collection, it is clear the significance certain institutions or moments in time had on the area. However, there are many more layers of significance behind the postcards. They span more than 100 years of regional history that can be contextualized in national political, social, economic, and familial histories, resulting in many potential conclusions using just postcards as primary source material. The rest of this post will address the use of postcards as research tools, using examples from the Helen-Chantal Pike Collection on Asbury Park housed at Rutgers University Special Collections and University Archives.


In America, the first postcard was developed in 1873 by Massachusetts’ Morgan Envelope company. These cards depicted scenes from conventions and expositions in Chicago at the height of the Industrial Revolution. The first postcard intended for souvenir purposes was actually created in 1893 with scenes from the World’s Columbian Exposition. Postcards thus have deep roots in the northern region of the country, documenting its changing history, and capturing the excitement of progress in many eras. In 1898, Congress passed the Private Mailing Card Act, which allowed postcards to be printed by private companies rather than just the post office. At this point the popularity of “Private Mailing Cards” began to skyrocket. Finally, in 1901, private companies were allowed to call their printed cards “postcards,” and after a few more years of complicated history the picture front, divided back, postcard we all know was legal and being mailed in multiple styles across (a good amount of) the country. This Golden Age of Postcards peaked in 1910, with postcards particularly popular among rural and small town women of the northern United States.

Envelope addressed to Miss G.. Mentz, Brookside, New Jersey stamped in Ocean Grove

Almost all of the eras of postcards are represented in the Helen-Chantal Pike Collection. Picking one group of postcards at random I was able to see examples of the short period of time where postcards were not divided-back and the sender had to write on the front, or image part, of the postcard. There are also many beautiful examples of the lithographic style of postcards, which were specifically popular during the Golden Age period (1907-1915). Each of these provides immense interdisciplinary relevance with each layer of ink. Some of these semantics are debated among postcard enthusiasts; however, the Golden Age of postcards, no matter what the exact date range, lines up with the foundational period of American culture. One of the major things that shaped the time leading up to the 1920s was the transformation of cinema from silent to film noir. In Asbury Park in particular, cinema was a huge part of the economy, with cinema tycoon Walter Reade even running for mayor of Asbury Park. Postcards of these theaters are great primary source examples of the importance of the erection of these edifices and the positions they held as landmarks of the region. Of the six Reade theaters in Asbury, two are featured prominently in the postcard collection: the Mayfair and the Paramount. Construction and then depiction of these places reflect civic achievement as well as provide insight into the aesthetic values of the region and the time period.

Aside from construction aesthetics many postcards provide insight into fashion. In the case of Asbury Park there are many depictions of changing beachwear trends. A 1910 lithographic postcard (seen at the start of this essay) shows a row of women in large bonnets posing coyly in carriages. The postcards in the “beach” section of the Pike Collection date from 1901 to 2001 so they document an entire century of summers, with their corresponding outfits and activities. The collection can be used to track the changing shore attractions as well. When compared to today, Asbury was previously booming with activities, ferris wheels, games, etc. There was even once a horse track where there is now a parking lot.
Postcard showing two women in bathrobe in the sea on the left, with note dated "The "El Dorado" August 30, 1905" with the text "Dear Grace, This is almost as refreshing as "Cold Spring." Wish you and Mr. Snyder were here to enjoy it with me. Yours, Priscilla


While the Helen-Chantal Pike Collection focuses closely on the late 19th through mid-20th centuries, it is also relevant to a variety of timely topics. Because of this, its postcard series is a great place to start research on the Asbury Park, leisure, East Coast culture and development, and visual culture. There are, at the very least, enough images to acquaint a researcher to the area and its specific civic importance. At the other end, the series can provide insight into a large amount of research projects with a fairly wide scope. An example of its relevance is the way  in which postcards pose as an interesting precursor to the visual culture we exist within today. In many ways, a postcard was the Instagram of people in the 19th century. The feelings that surround the purchase and sending of the postcard are similar to the reasons one takes photos of their vacation and travel spots today. Mailing the card has been replaced with posting on the internet and the back of the card has been replaced by the caption. In this way, postcards are also structurally similar to Instagram, balancing the impersonal nature of posting to a wide audience by allowing the image to have been captured by the individual. This, like postcards, provides a sense of community through sharing and receiving. However, it is not always to say “wish you were here,” but sometimes “look where I am.”


Rachel Ferrante is an undergraduate American Studies and Sociology student at Rutgers working at the Special Collections and University Archives through the Rutgers Public History Internship program. During Fall 2017, she processed the Helen-Chantal Pike Collection on Asbury Park, New Jersey. Outside of the library, she works on cultural history through research with the Aresty Program and in her papers.

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Works consulted:


All images displayed are postcards from the Helen Pike collection, Box 5, folder 1.


Late Fall 2016-Winter 2017 Acquisitions



Alvarez, Ann. The Mass Grave at the First Reformed Church. New Brunswick, NJ. East Brunswick Historical Society, 2008.

American Whig Society. Catalogue of the American Whig Society. Princeton, NJ: Published by the order of the Society, Princeton University, 1865.

Bowman, Bill. Murderer of the Year: A True Story. PJB Creatives, Inc., 2009.

Boyd, William Henry. Boyd’s Newark Business Directory. Newark, NJ: A.J. Dennis & Co., 1857

Brown, Mercy. Loud is How I Love You: A Hub City Romance. New York: InterMix Books, 2016.

Clark, Rhonda L. and Miller, Nicole Wedemeyer. Fostering Family History Services: A Guide for Librarians, Archivists, and Volunteers. Santa Barbara, CA: Libraries Unlimited, 2016.

Cohen, Ronny. From Homer to Hopper: American Visions in 19th and 20th Century Art. Selections from the Permanent Collection of the Canajoharie Library and Art Gallery. Princeton, NJ: Bristol-Myers Squibb, Co., 1990 .

Degrassi, Carol. City of Somers Point: Before and After (Vol. 1).  Somers Point, NJ: Somers Point Historical Society, 2004.

Directory of the City of Trenton 1854/1855. Trenton, N.J. : J.M. Clark, R.H. Moore, J.O. Raum, 1855.

Forgosh, Linda B. Louis Bamberger: Department Store Innovator and Philanthropist. Waltham, MA: Brandeis University Press, 2016.

Friends of New Netherland and New Brunswick Theological Seminary. Reflections on the World: The Writings of Howard G. Hageman. Albany: New Netherland Publishing, 1993.

Fuentes, Marissa J. and White, Deborah Gray. Scarlet and Black Volume 1: Slavery and Dispossession in Rutgers History. New Brunswick, NJ: Rutgers University Press, 2016.

Green, Howard L. and Associates, Inc. Telephone Survey of Food Store Shopping Habits, Opinions, and Attitudes in Kings Marketing Area. Troy, MI. May 5,1989.

Green, Howard L. and Associates, Inc. In-Store Survey Results for Nine Kings Super Markets. Troy, MI. January 26, 1990.

Green Book Street Directory of Trenton and Adjacent Territory, Historic Places of Interest and General Information. Trenton, NJ: L.B. Prince, 1932.

Hajdu, David. Love for Sale: Pop Music in America. New York: Farrar, Strauss and Giroux, 2016.

Havens, Mark. Out of Season: The Vanishing Architecture of the Wildwoods. London: Booth-Clibborn Editions, 2016.

Havens, Jessie L. Cold Case: Hall-Mills Murderer Revisited. Bridgewater, NJ: Heritage Trail Association, 2016.

Jardim, Edward A. The Ironbound: An Illustrated History of Newark’s “Down Neck.” Frenchtown, NJ: Stone Creek Publications, 2016.

Karcher, Joseph T. A Municipal History of the Township of Sayreville, 1876-1920. Boston: Meader Publishing Company, 1953.

Kem-Lec-Mek: The Annual of the Students, College of Engineering. Newark, NJ: Newark Technical School, 1926.

Ketler, William H. Chronic Kicker on Politics. Camden, NJ: Outlook Company, 1900.

Listokin, David, Dorothea Berkhout and James W. Hughes. New Brunswick, New Jersey: The Decline and Revitalization of Urban America. New Brunswick, NJ: Rutgers University Press, 2016.

Lloyd, Carli and Coffey, Wayne. When Nobody was Watching My Hard-Fought Journey to the Top of the Soccer World. New York: Houghton Mifflin Harcourt, 2016.

Lurie, Maxine N. and Richard Veit. Envisioning New Jersey: An Illustrated History of the Garden State. New Brunswick, NJ: Rutgers University Press, 2016.

Masur, Louis P. Runaway Dream: Born to Run and Bruce Springsteen’s American Vision. New York: Bloomsbury Press, 2009.

McCarthy. George M. The Evolution of a Sentiment. Jersey City, NJ: G.M. McCarthy, 1905.

Monmouth County Planning Board. Study of Population: Monmouth County. Court Street and Lafayette Place, Freehold, NJ, April, 1974.

Monmouth County Planning Board. Economic Base Abstract for Monmouth County. March, 1976.

Monmouth County Planning Board. Monmouth County Planning Area 6: Land Use. Freehold, NJ. July,1976

Monmouth County Planning Board. Monmouth County Planning area 4: Land Use. Freehold, NJ. August,1977.

Monmouth University. 19th Century Maritime Art: Our History in Paintings. Pollak Gallery, October 13- 23, 2011. West Long Branch, NJ: Monmouth University, 2011.

Moss, Sandra W. Poliomyelitis: Newark 1916, “The Grip of Terror.” Xlibris, 2016.

Myers, Gordon. Yankee Doodle Fought Here: Being an Historic Musical-Narrative Featuring the Songs and Words of People who Lived in 18th Century America. Newfield, NJ: D.P.R. Publishers, 1975.

National Jewish Committee on Scouting. The Ner Tamid Guide for Boy Scouts and Explorers. New Brunswick, NJ, 1961.

Negron, Rosina. Comparison and General Analysis of Support Systems for Heritage Sites in New Jersey, California and Puerto Rico. Philadelphia: Managing Heritage for Sustainability, Graduate School of Fine Arts, University of Pennsylvania, 1999.

New Jersey National Guard, Cavalry Regiment, 102nd.  First Squadron of Cavalry NJ: Essex Troop: 100th Anniversary of the Mexican Border Campaign, 1916-1917. West Orange, NJ: 102nd Cavalry Regiment Association, 2016.

New Jersey State Highway Department, Bureau of Public Information. Development of the State Highway System: New Jersey. Trenton, NJ: 1960.

New York Shipbuilding Corporation. Safety Rules and Regulations. Camden, NJ: New York Shipbuilding Corporation, 1941.

Nutt, Charles W. Life Happens: How Catholic Baby Boomers Coped with a Changing World. Vineland, NJ: Anlo Communications, L.L.C., 2009.

Passaic County Tuberculosis and Health Association. Annual Report. Paterson, NJ: Passaic County Tuberculosis and Health Association, 1947.

Rabig, Julia. The Fixers: Devolution, Development & Civil Society in Newark, 1960-1990. Chicago: The University of Chicago Press, 2016.

Rosenfelt, David. Blackout. New York: St. Martin’s Paperbacks, 2016.

Shea, Hunter. The Jersey Devil. New York: Pinnacle Books, 2016.

Somerset County Planning Board. Draft: Somerset County Planning Board Housing Trends Assessment Report. Somerville, NJ: 2016.

Stewart, Kelly Loyd. An Illustrated History of the Society of The Cincinnati in The State of New Jersey. The Society of the Cincinnati in The State of New Jersey, 2014

Sullivan, Jaime Primak and Eve Adamson. The Southern Education of a Jersey Girl: Adventures in life and Love in the Heart of Dixie. New York: Touchstone, 2016.

Trenton, New Jersey Department of Housing and Development. Preservation Guidelines. Trenton, NJ: City of Trenton, Department of Housing and Development, 1979.

Ventresca, Yvonne. Black Flowers, White Lies. New York: Skyhorse Publishing, 2016.

Wacker, Peter O. Etching The Rural Landscape in Early New Jersey. 2000.

Webster, Noah. An American Dictionary of the English Language. New York: White and Sheffield, 1842.

Woodbury, David O. A Measure for Greatness: A Short Biography of Edward Weston. New York: McGraw-Hill, 1949.

Zampini, Daniel James. After it Rains. Haverhill, MA: Fireborn Publishing, 2016

July-August 2016 New Acquisitions




American Whig Society. Catalogue of the American Whig Society. Princeton, NJ: Published by the order of the Society, Princeton, NJ, 1859.

ARCH2. This is the Story of Emark: A Production of Thomas A. Edison, Inc. Metuchen, NJ: ARCH2 Inc.

Berkey, Joan. Early Wood Architecture of Cumberland County. (DVD). Greenwich, NJ: Cumberland County Historical Society, 2013.

Bicentennial Farm Awards. New Jersey: 1988

Braisted, Todd W. Grand Forage 1778: The Battleground Around New York City. Yardley, PA: Westholme, 2016.

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June 2016 Acquisitions



Airships: U.S. Naval Air Station, Lakehurst, New Jersey. New York: Grolier Craft Press, 1929.

Celebrating Our 125th Anniversary: Hopewell Borough, 1891-2016. Hopewell Borough, NJ: 125th Anniversary Committee, 2016.

Choroszewski, Walter. Somerset: A Celebration of Communities. North Branch, NJ: Aesthetic Press, 2007.

Church of the Guardian Angel. Commemorating Our 10th Anniversary: Church of the Guardian Angel in Allendale Souvenir Program, May 27, 1964. Allendale, NJ: Church of the Guardian Angel, 1964.

City of Cape May Historic Preservation Commission. Design Standards. Cape May, NJ: Cape May Historic Preservation Commission, 2002.

The Collage Journal: the First Decade, 2005-2015. Hunterdon, NJ: Hunterdon Art Museum, 2015. Read More

May Acquisitions


Atlantic County, NJ. Called to Duty: Recollections of Atlantic County Veterans. Atlantic County: Atlantic County Government, 2002.

Bond, Gordon. Wicked Woodbridge and Crazy Carteret: Vice in New Jersey’s Oldest Township. Staunton, VA: American History Press, 2015.

Booker, Cory. United: Thoughts on Finding Common Ground and Advancing the Common Good. New York: Ballantine Books, 2016.

Centennial Book Committee (Mendham, NJ). Reflections on a Community: Mendham Borough, The Centennial, 1906-2006. Virginia Beach, VA: Donning Co. Publishers, 2007.

Church of the Guardian Angel. Church of the Guardian Angel, Allendale, New Jersey. South Hackensack, NJ: Custombook, Inc., ca. 1960.

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